2014hc homepage0116 5
NCTU | Homepage | College of Hakka Studies | Site Map | 中文

Iris Hsin-Chun Tuan

15317355481263f1

Position: Professor
Tel: +886-3-5712121
Ext. 58658
E-mail: iristuan@mail.nctu.edu.tw
Last updated: 2019-10-07
  

Educational attainment


2001/9-2005/3 Ph.D. in Theater conferred from UCLA
1994/9-1997/6 MA in English and American Literatures from National Central University
1989/9-1993/7 BA in Foreign Languages and Literature from National Tsing Hua University

Experiences


2015/8/1- to the present National Chiao Tung University, Professor
2012/8-1 -2013/8/31 Department of English, TUSA Visiting Scholar Harvard University
2009/8/1- 2015/7/31 National Chiao Tung University, Associate Professor
2005/8/1-2009/7/31 National Chiao Tung University, Assistant Professor

Research Fields


Theater and Performance Studies, Drama and Film Studies, Cultural Creative Industry

Reviewed Journal Papers


2017 "XIANGSI NOSTALGIA." Asian Theatre Journal. (A & HCI). (Review) Issue 34:2. Fall 2017, pp. 479-481.
2017 A MIDSUMMER NIGHT’S DREAM.” Asian Theatre Journal. (A & HCI). Issue 34:1. Spring 2017.
2015 “Dream and Life in Metamorphosis by Beijing Opera. International Journal of Humanities and Social Sciences. (ISI, JSTOR)(Impact Factor: 2.737.) March 31. 2015, pp. 9-14. The Best Paper Honor.
2014 “Taiwanese Jingju Performances Featuring Women’s Writing: Meng Xiaodong and The Ghostdom River.” Asian Theatre Journal. (A &HCI) FRIDA level: Scholarly. Fall 2015. Vol. 32. Num. 2. pp. 555-564.
2014 “Suzuki Tadashi’s La Dame aux Camélias in Taiwan.” (A&HCI) Asian Theatre Journal. (A&HCI) Vol. 31.Num. 1.Spring 2014, pp. 228-241. FRIDA level: Scholarly.
2013 〈劇本改編與戲劇再現-比較《青天斷婿》與《超炫白蛇傳》〉《客家研究公共事務學 報》中壢:國立中央大學客家學院,第七期。2013. (附主編證明刊登函)
2013 “Media Representing Shakespeare: Adaptation, Inter-Textuality, and Gender.” Journal of Literature and Art Studies. ISSN 2159-5836. Feb. 2013, Vol. 3, No. 2, pp. 71-79.
2012 〈e世代戲劇研究:以莎學與電視劇《犀利人妻》為例〉《資訊社會研究》第21期專刊。 July 2012, pp. 86-108.
2012 〈《暴風雨》的身體展演與殖民創傷〉《英美文學評論》第20期.。June, 2012. pp. 35-69.《英美文學評論》於2003年入選國科會人文處「外文學門專業學術期刊評比排序」第一級期刊名單。ISSN: 0010552129. (THCI Core)
2012 “Bond: Shakespeare’s Merchant of Venice in Taiwan.” International Journal of Humanities and Social Sciences. June 2012, Vol. 2, No. 11, pp. 253-260. (ISI, JSTOR; Impact Factor: 2.737)
2011 〈政策下之客家電視台戲曲徵選與現代形式演出--以「新永光戲劇團」為例〉《客家研究》第四卷第一期。June 2011, pp. 193-234.
2011 〈台灣客家電視台精緻戲曲《戲棚戲》之探討〉《客家公共事務學報》中壢: 國立中央大學客家學院,第三期。May 2011, pp. 67-86.
2011 〈性別變裝與表演—評少年金釵男孟母〉《戲曲學報》第十期. Dec. 2011, pp. 259-283. 台大戲劇系送台大校務會議通過評定二級期刊。 (THCI)
2011 “Zhang Yimou’s Turandot in Taiwan.” Theatre Topics. Academic Journal from The Johns Hopkins University Press. Vol. 21, Num. 2, Sep. 2011, pp. 175-183. (Project MUSE). It was a great honor to have a picture of this paper used as the journal front cover page image.
2011 “My Daughter’s Wedding--Shakespeare’s The Taming of the Shrew: A Hakka Adaptation Musical in Taiwan.” Asian Theatre Journal. Vol. 28, Num. 2, Fall 2011, pp. 573-577. (A& HCI). FRIDA level: Scholarly.
2009 〈台灣客家文學中的客家婚禮儀式〉《贛南師範學院學報》經審查後已通過出版。Oct. 2009年.第5期.30卷,pp. 23-28. 此期刊榮獲《中國學術期刊檢索與評價數據規範》優勝獎。此期刊為大陸全國優秀社科學報。
2008 〈藝術中的身體表演〉《台灣美術》Oct. 2008, pp. 70-84.此期刊國科會藝術學門2004年被決 議列入評鑑排序計畫,結果評定為良好期刊。此期刊並榮獲2008年政府優良出版品獎項。
2008 〈客家戲劇在台灣—以客家劇本《吳湯興》為例〉《贛南師範學院學報》Dec. 2008. 第二十九卷第五期 (總第168期),pp. 8-14。經過匿名評審及欄目主編及編委會的共同審查後刊登。 附審查通過證明書。此期刊榮獲《中國學術期刊檢索與評價數據規範》優勝獎。此期刊為大 陸全國優秀社科學報。
2007 Directed 戲劇指導導戲 國立交通大學外文系大四畢業公演英語舞台劇 We Won’t Pay, We Won’t Pay. Adapted from The Nobel Prize Winner Dario Fo’s Play. Taiwan: Hsinchu City Performance Hall, 10-11, 2007.重要性認可等同期刊論文一篇。 表演DVD、新聞報導、演出改編劇本。
2007 〈想像與建構: 台灣客家三腳採茶戲〉《客家研究》第二卷第二期. 2007年12月 頁 103- 149。經過匿名評審審查後,同意出版。
2002 “Music and Sound: Feminism Echoes in The Taming of the Shrew, Kiss Me Kate and The Vagina Monologues.” Cultural Studies Monthly. No. 221. Jan. 15, 2002.

Reviewed Books


2018 Transnational Performance, Identity and Mobility in Asia. Eds. Iris H. Tuan and Ivy I-Chu Chang. 9 Contributors. London and New York: Palgrave Macmillan. May 2018. ISBN 978-981-10-7106-5.
2018 Translocal Performance in Asian Theatre and Film. London and New York:Palgrave Macmillan. May 2018. ISBN 978-981-10-8608-3.
2013 Intercultural Theatre: Adaptation and Representation.(《跨文化劇場:改編與再現》)。《全球化與跨文化研究叢書》China: Nanjing University Press, (Simplified Chin...
2012 Drama and Hakka (《戲劇與客家》) Taipei: Bookman, June 2012.
2012 Western Canon in Taiwan Theatre: Adaptation and Transformation. (《西方經典在台灣劇場:改編與轉化》) Hsinchu: NCTU Press, June 2012.
2010 Gazing Upon the Contemporary Taiwan Theatre.(《凝視台灣當代劇場》) Taipei: Airiti Press,April 2010。
2010 Intercultural Theatre: Adaptation and Representation. Germany: Lambert Academic Publishing. April 2010. Published after blind vetted in the drama field.
2009 Intercultural Theatre: Adaptation and Representation.(《跨文化劇場:改編與再現》) Hsinchu: NCTU Press,July 2009。
2007 Alternative Theater in Taiwan. Cambria Press: New York, March 2007.
2005 Feminist and Intercultural Approaches to the Alternative Theaters in Taiwan: From 1993 to 2004. Ph.D. Dissertation. University of California, Los Angeles. (UCLA) March 2005. UMI: Ann Arbor, 2005. UMI Number: 3169205.

Reviewed Book Chapters


2018 “Translocal Mobility: Hakka Opera Betrayal Inspired from Shakespeare’s Lost Play Cardenio.” Transnational Performance, Identity and Mobility in Asia. Eds. Iris H. Tuan and Ivy I-Chu Chang. 9 Contributors. London and New York: Palgrave Macmillan. (publication date 2018, ISBN 978-981-10-7106-5)
2018 “Modernization of Asian Theater--Case Studies Representation of Chinese and Western Classics: 108 Heroes and Measure for Measure in Taiwan.” Asian Theatre Anthology: Modernization of Theatre in Asia. Edits. Yasushi Nagata and Mitsuya Mori. Jaipur and New Delhi: Rawat Publications, Feb. 2018.
2015 〈情與法:客家戲與跨劇種研究〉《台灣客家社會與文化》交大專書。劉大和主編。台北:桂冠。(May 15, 2015已獲主編接受刊登函。)Forthcoming. Sep. 2015.
2013 Chapter entitled “Taiwan.” International Women Stage Directors. Edited by Anne Fliotsos and Wendy Vierow. Illinois: University of I...
2012 〈戲劇中的政治肖像與角色扮演〉《近代肖像意義的論辯》國立陽明大學人文與社會科學院。台北:遠流。April 2012, pp. 244-274。
2012 〈跨文化劇場在台灣: 威爾森《歐蘭朵》〉《劇場中的跨文化主義》。中國:南京大學出版社 Forthcoming. 2012.
2011 〈阿莫多瓦電影中的視覺影像與性別/表演〉《(洞)見:視覺文化與美學》。馮品佳、 趙順良主編。台北:書林, Feb., 2011, 頁215-241。
2011 Book Review. Chinese Women’s Cinema: Transnational Contexts. 430 pages. New York: Columbia University Press, 2011. Journal of Asian Studies. (SSCI) Vol. 71 No. 3. Aug. 2012.
2010 〈台灣首齣客家歌舞劇中的新客家都會文化〉《客家城市治理》江明修主編。台北:智勝,2010年5月1日,頁131-144。
2010 〈台灣首齣客家歌舞劇中的新客家都會文化〉《客家城市治理》江明修主編。台北:智勝,2010年5月1日,頁131-144。
2010 〈機器人形象〉《科技 社會 人》新竹︰交大出版社, 2010年3月, 頁126-139。
2008 〈台灣現代女性劇場—以周慧玲與魏瑛娟的導演作品為例〉.《眾聲喧嘩之後: 台灣現代戲劇論集》台北︰書林. 2008年1月,頁165-191-。

Conference Papers


2018 ‘Performance: Reproducing life and reinventing the everyday in the Korean Film Along With the Gods: The Two Worlds.’ PSi #24 conference hosted by Performance Studies international and the Daegu Foundation for Culture in Daegu, Republic of Korea. July 3-6, 2018.
2017 “Make-up, Masks, Race and Performance.” American Society for Theatre Research. (ASTR)/TLA Conference. Nov. 16-19, 2017. Atlanta, GA.
2017 〈跨文化改編的現狀及侷限—以《蛻變》、機器人劇場表演及音樂劇為例〉。高雄: 國立中山大學2017劇場藝術與管理國際學術研討會。Oct. 26-27, 2017.
2017 “Spectacle, Adaptation and Sexuality in Chinese Musicals.” Association for Theatre in Higher Education. (ATHE) AAP+ATHE. Nevada: Las Vegas, Aug. 1-6, 2017.
2016 “Visibility of Hakka Opera Betrayal: Adaptation and Translation from Shakespeare's Cardenio.” Working Group: Adaptation, Translation, and Visibility. American Society for Theatre Research (ASTR). Nov. 3-6, 2016. Minneapolis, Minnesota.
2016 “Translocal Labor of Musical Theatre in Taiwan:From Translation to Multi- Arts.” Session: Opening Doors: The Labor of Musical Theatre Translation in East Asia. Association for Theatre in Higher Education (ATHE).Aug. 11-14, 2016. Chicago.
2016 “Theatre Represents Literature: Love and Labor to Send Away Under Escort”Organized Panel II:Love and Labor in Reinventing Asian Performance Tradition as Cultural Capitol. Association for Asian Performance (AAP). Aug. 10-11, 2016. Chicago.
2016 “Hakka Culture and Images in Cinema and Performances.” Panel: 客家影像.The Fourth Taiwan International Conference on Hakka Studies.Ethnicity, Locality and Regionality: Construction and Practice of Global Hakka Studies. Sep. 10-11, 2016. Taiwan: National Chiao Tung University.
2016 “Dream and Imagination of Asian Shakespearean Performance in Taiwan: Tradition and Modernity.” Asian Theatre WG Colloquium: Between Tradition and Modernity in Asian Theatre. Singapore: National Institute of Education, Nanyang Technological University. April 30-May 1, 2016.
2015 “Ninagawa’s Hamlet in Taiwan: Intercultural Representation.” Association for Theatre in Higher Education (ATHE)-AAP. Canada: July 29 –Aug. 2, 2015.
2015 “AAS Panel on Disaster: The 921 Earthquake and 731 2014 Kaohsiung Explosion in Taiwan.” Annual Meeting of the Association of Asian Studies (AAS) Taipei: Academia Sinica, June 22-24, 2015.
2015 “Dance Aesthetics: Sex, Beauty and Simplicity in the Age of Austerity.” SDHS &CORD. Athens: June 4-7, 2015.
2014 〈跨域客家表演研究〉第三屆台灣客家研究國際研討會:「全球客家的形成與變遷:跨域研究的視野」新竹: 國立交通大學, Nov. 8-9, 2014.
2014 “Dream and Life in Metamorphosis by Beijing Opera.” Association for Asian Performance (AAP)- Association for Theatre in Higher Education (ATHE), Arizona, July 23-July 27, 2014.
2014 “Locals in Shakespeare’s Cardenio.” Shakespeare Journeys. The Inaugural Conference of the Asian Shakespeare Association. Taipei: National Taiwan University National Taiwan Normal University, May 15-18, 2014.
2014 〈戲劇與媒介:莎學電影與網路電視劇〉2014華文藝術節。杭州。April 18-24, 2014.
2013 “Chinese and English Classics: Modern Interpretation in Performance Studies.” AAP-ATHE, Florida, July 31-Aug. 1. Aug. 1-4, 2013.
2013 “Tradition and Innovation of Asian American Theatre: David Henry Hwang and Young Jean Lee.” Harvard & Taiwan-TUSA Symposium. March 23, 2013.
2012 “Body and Performance in Young Jean Lee’s Lear.” 2nd Shakespeare Colloquium. National Taiwan University, Feb. 29, 2012.
2012 〈西方經典《茶花女》在台灣劇場:改編與轉化〉新竹:國立交通大學人社中心「2012臺灣海洋文化的吸取、轉承與發展」成果發表會。June1- 2, 2012.
2012 “Media Representing Shakespeare.” Shakespeare across Media International Conference. The 6th Conference of the Shakespeare Forum. Taipei: National Taiwan University. June 7-9, 2012.
2012 “Woman’s Performative Body in Young Jean Lee’s Lear.” The Fourth Biennial International Conference of the Contemporary Women’s Writing Association. July 11-13, 2012.
2012 “Intercultural Theatre in Taiwan: Measure for Measure and 108 Heroes.” Session “Modern Theatre” in East Asia: The Question of Translation and Adaptation in the context of Globalization. The 9th International conference Crossroads in Cultural Studies, Paris, July 2-6 2012.
2011 《莎翁《暴風雨》在台灣:西方經典與跨文化改編》「台灣海洋文化的吸取、轉承與發展」國際研討會人社中心年度成果發表暨第十七屆人文聯盟會議。台灣新竹:國立交通大學人文與社會科學研究中心,May 27-28, 2011.
2011 “Robert Wilson’s Orlando and Zhang Yimou’s Turandot in Taiwan.” The International Association for Philosophy and Literature (IAPL) Tainan, Taiwan: National Cheng Kung University, May 23-29, 2011.
2011 “Shakespeare in Taiwan: Taking the examples of The Tempest and Bond.” Transrelating Shakespeare—1st Shakespeare Forum 2011 Colloquium. June 25, 2011.
2011 “Adaptation and Representation of Shakespeare’s Plays in Taiwan.” Chicago: ATHE-AAP, Aug. 9-14, 2011.
2011 〈e世代戲劇研究:以莎學與電視劇《犀利人妻》為例〉國立清華大學e世代重要議題研討會:人文社會的觀點。Sep. 15, 2011.
2011 〈客家文化與戲劇在台灣〉中國江西:贛南師範學院,Oct. 21-24, 2011.
2011 〈台灣客家電視台精緻戲曲《戲棚戲》之探討〉2011年族群、歷史與文化亞洲聯合論壇:當代客家之全球發展學術研討會,中壢與台中:國立中央大學,Oct. 28-Nov. 1, 2011.
2011 〈虛擬文化與電影媒體:科幻電影與虛擬攝影棚的虛實交融〉台灣資訊社會研究學會研討會,新竹:交大傳科系所, Nov. 18-19, 2011.
2011 〈尤里匹底斯《特洛伊女人》中的女性角色〉尤里匹底斯國際研討會,板橋:台藝大,Dec. 1-2, 2011.
2010 〈政策下客家電視台戲曲甄選與現代形式演出—以「新永光劇團」為例〉台灣客家研究學會。新竹:國立交通大學。May 22, 2010.
2010 〈田納西‧威廉斯劇作中隱藏式的生命史〉2010年「迪倫馬特暨田納西‧威廉斯(Tennessee Williams) 」國際學術研討會國際會議。台北:國立台灣藝術大學戲劇系。May 27-28, 2010.
2010 “Spectacle of Dance in Almodovar’s Film Talk to Her.” SDHS. London: University of Surrey, July 8-11, 2010.
2010 “Music and Dance in Pina Bausch’s Choreography in Almodovar’s Film.” ATHE: Los Angeles, Aug.3-6, 2010.
2010 〈《少年金釵男孟母》中的性別變裝與舞臺表演〉「臺灣現代劇場的複數史觀」國際學術研討會。台北:國立臺北藝術大學戲劇學系。2010年10月2日~10月3日。
2010 “Adaptation and Representation in Intercultural Theatre: Robert Wilson’s Orlando and Zhang Yimou’s Turandot in Taiwan.” International Conference on Interculturalism. China: Nanjing University, Oct. 23-24, 2010.
2010 “Shakespeare’s The Taming of the Shrew: A Hakka Adaptation Musical in Taiwan.” Shakespeare Forum. Taipei: National Taiwan University, Nov. 25-26, 2010.
2010 <評羅伯‧威爾森在台灣之跨文化製作—《歐蘭朵》與《鄭和1433》>跨文化研究學術研討會。台南縣:南台科技大學,2010年12月4日。
2009 〈從台北的奧瑞斯提亞到上海的哈姆雷特〉台北:台灣水泥大樓,第七屆華文戲劇節國際研討會,Feb. 24-March 1, 2009.
2009 〈易卜生戲劇中的女性覺醒與影響--以《玩偶之家》與《群鬼》為例〉。2009挪威劇作家易卜生(Henrik Ibsen)國際學術研討會國際會議。台北:國立台灣藝術大學戲劇與劇場應用學系,April 29-May 1, 2009.
2009 〈慾望擬像的城市客家—再現於客家歌舞劇《福春嫁女》〉中壢:國立中央大學,「2009全球客家城市高峰論壇」,Aug. 6, 2009.
2009 “Hakka Musical My Daughter’s Wedding—Adapted from Shakespeare’s The Taming of the Shrew.” “Performance Studies International. Croatia: June 24-28, 2009.
2009 “Theatricalizing Shakespeare’s The Taming of the Shrew’: A Hakka adaptation musical in Taiwan.” Presenter and also seminar organizer. Seminar: Singing and Dancing Across the Border: the World Musical. Association for Theatre in Higher Education. New York City. Aug. 8-11, 2009.
2009 “Theater Adaptation Represented by Film: Visual Cinematic Image and Gender/Performance in Pedro Almodóvar’s Three Films.” International Conference on Visuality and Cultural Literacy. Taiwan: National Central University, Dec. 12-13, 2009.
2008 “Misogyny in Art and Theatre: Degas’ Paintings and Strindberg’s Plays.” U.S.A. Honolulu, Hawaii: Hawaii International Conference on Arts and Humanities, Jan. 11-14, 2008.
2008 〈客家戲劇的新方向--客家歌舞劇《福春嫁女》〉新竹:國立交通大學,第二屆台灣客家研究國際研討會 會議論文集(上),Dec. 20-21, 2008.
2007 “Globalization of Shakespearean Research: Western Influence and Intercultural Performativity in Taiwan” U.S.A. New Orleans: Association for Theatre in Higher Education (ATHE), July 26-29, 2007.
2007 〈客家三腳採茶戲的傳統與創新:以「榮興客家採茶劇團」與「霓雲社客家三腳採茶戲團」為例比較〉.客家地方社會比較研究工作坊. 新竹:國立交通大學客家文化學院主辦. Oct. 5-6, 2007.
2006 “Cities and Theatres in Asia: Western Influence on Asian Theatres.” Kaohsiung: National Sun Yat-sen University, Oct. 20-21, 2007.
2006 “Gender and Performativity in Peony Pavilion in Taiwan Theater.” North American Taiwan Studies Association. U.S.A.: University of California, Santa Cruz. July 3-5, 2006.
2006 “Gender and Performativity in the Peony Pavilion in Theatres in Taiwan.” The Writers Workshop in the Humanities and Social Sciences. National Tsing Hua University. August 31, 2006.
2006 “Western Tradition Framed by the East: Stan Lai’s Performance Workshop.” 賴聲川劇場藝術國際學術研討會。 會議論文集。台北國立藝術大學戲劇學系研究所. Sep. 30-Oct. 1, 2006
2006 〈台灣現代女性劇場—以周慧玲與魏瑛娟的導演作品為例〉.2006 台灣現代劇場學術研討會. 台北:國立台灣大學戲劇系與中華戲劇學會主辦. Oct. 7-9. 2006
2005 “National Identity and Cultural Identity in Taiwan Theater.” American Society for Theatre Research (ASTR) in Las Vegas. Nov. 18-21, 2005.
2005 〈黃美序的Cathay Visions (The Empty Cage) 空籠故事 劇中劇裏的幻象角色〉黃美序作品研討會. 文化大學. Taipei. June 8, 2005.
2005 〈劇場中的性別表演與跨文化觀點〉大會主題:文學藝術創作中的原鄉想像與國族認同.「打造健康台灣—思想的、社會的、醫學人文教育的」中國醫藥大學. Sep. 30-Oct. 1 2005.
2004 “Intercultural Feminism in Taiwan Theater—Slut Antigone.” University of California, Los Angeles, UC-Roundtable Conference, Feb. 20, 2004.
2000 “Multimedia, Race, Class, and Gender: English Drama Performance-- Bizet’s Carmen.” Et al. The Proceedings of the 2nd National Conference on Colleges Projects Presentation, Yun Lin Science and Technology University, 2000.
2000 “Multimedia, Race and Gender: Teaching Bizet’s Carmen.” The Proceedings of the 1st National Conference on Teaching English Language and Literature, Chin Min College, 2000.
2000 “Multi-images of Carmen Presented by Multimedia.” The Proceedings of the 4th International Conference on Multimedia Language Education, Yuan Zhi University, 2000.

Academic Professional Reviews and Commentary


2017 〈堅持創意與妥協世俗之間《源泉》〉http://pareviews.ncafroc.org.tw/?p=24760
2017 Iris Hsin-chun Tuan. "Taiwanese Hand Puppet Theatre: Technology, 3D, and a Rock & Roll Band." The Theatre Times. Posted on 2nd Mar 2017. https://thetheatretimes.com/taiwanese-hand-puppet-theatre-technology-3d-rock-roll-band/
2015-2017 「表演藝術評論台」劇評與舞評數篇
2017-05-04 〈解構文本,無聲偷窺《茱莉小姐》〉http://pareviews.ncafroc.org.tw/?p=24389
2017-04-25 〈愛情、追逐、挑逗與性愛《雅朵拉森林》〉http://pareviews.ncafroc.org.tw/?p=24252
2015-03-17 〈斷垣殘壁之後,性、互文性與希望《巴勒摩.巴勒摩》〉 http://pareviews.ncafroc.org.tw/?p=15253

Magazine Articles and Cultural Comments


〈儀式的未來—紐約大學表演學研究所理察‧謝喜納演講短記〉《超薄型月刊》,新竹:國立交通大學教學發展中心,2007年,第七期, pp. 43-45。
〈跨文化表演與文化帝國主義—紐約大學表演學研究所理察‧謝喜納演講短記〉《超薄型月刊》,新竹:國立交通大學教學發展中心,2007年,第七期, pp. 41-42。
〈如何欣賞佛朗明哥舞〉《新舞風El Yiyo節目手冊》台北:新舞台,June 5-7, 2009.
〈當代電影與科技機器人形象(上)〉《機器人產業情報》第25期. Dec. 5 2008, pp. 17-23.
〈當代電影與科技機器人形象(下)〉《機器人產業情報》 第26期.Jan.5, 2009, pp. 19-24.
〈機器人與虛擬化身〉《機器人產業情報》第39期. 2010 2月號pp.12-19.
〈西方戲劇在台灣劇場中的表現〉《數位島嶼電子報》 數位典藏與數位學習國家型科技計畫 拓展台灣數位典藏計畫。Academia Sinica.中央研究院歷史語言研究所。Forthcoming.

Awards


2007-2013 Brilliant Talent Research Awards by National Chiao Tung University
2012-2013 Research invitations: Academia Sinica, UC-Berkeley and Harvard University
2012 NCTU 2012 Teaching Award
2009 2009 Pretty and Cute Mommy’s Writing Competiton Excellent Award
2009 Executive Yuan for Hakka Affairs Council 2009 Award Superviser of Good Ph.D. Dissertations & Theses
2009 NCTU Spring 2009 Excellent Mentor Award
2009 NCTU 2009 Book Award

Projects


017.1-2017.11 Executive Yuan for Hakka Affairs Council. "Taiwan Hakka Images: Glocalization of Hakka Films and Performing Arts."
101.08~102.07 Taiwan TUSA, Ministry of Education Transnational Avant-garde Asian Performance Histories USA-HAR-101-V03
101.04~101.12 NCTU Young Professors Enforcement Project International Scholars’ Exchange and Book Writing Project 101W986
101.04~101.11 Executive Yuan for Hakka Affairs Council Hakka Opera and Chinese Hsiang Opera 101B904
101.05~101.06 Hsinchu County Cultural Bureau Drama and Hakka Book Project II
101.01~101.05 Executive Yuan for Hakka Affairs Council Drama and Hakka Book Project I
100.01~100.11 Executive Yuan for Hakka Affairs Council Script Adaption and Theatrical Representation 100I522
99.01~99.11 Executive Yuan for Hakka Affairs Council Hakka TV Exquistie Opera 99I522
98.01~98.11 Executive Yuan for Hakka Affairs Council Hakka TV Opera Selection and Modern Form Performance 98I522
97.01~97.11 Executive Yuan for Hakka Affairs Council Hakka Troupes of Hsinchu on TV and Hakka Musical 97I503
96.08-97.07 National Science Council Contemporary Theatre in Taiwan in Globalization and Interculturalism (I) 96-2411-H-009-013(96N124)
96.01~96.11 Executive Yuan for Hakka Affairs Council Hakka Tea-Picking Opera in Hsinchu, Taiwan 96I809
95.01~95.11 Executive Yuan for Hakka Affairs Council Hakka Three-Role Tea-Picking Opera 95I809

Articles Online


〈西方戲劇在台灣劇場中的表現〉《數位島嶼電子報》數位典藏與數位學習國家型科技計畫 拓展台灣數位典藏計畫。Academia Sinica. 中央研究院歷史語言研究所。

Dance Performances


2012.8-2013.7 Taiwan TUSA, Ministry of Education Transnational Avant-garde Asian Performance Histories USA- Harvard University-101-V03
Solo Belly Dance. NCTU-Jhubei Campus, College of Hakka Studies. A Movie Studio. Film Recording. Jan. 10, 2012.
Piano Solo (Chopin). & Host. YAMAHA. Jhubei. Musical Hall. Aug. 28, 2011.
Flamenco Dance Solo performance (Tango),NCTU-Jhubei Campus, College of Hakka Studies. A evening in Hakka Week. 2011.

Group Dance Performances


Modern Dance, Ballet, Jazz, Street Dance, Hip Hop, Ballroom Dance. Folk Dance. 1989-2001.Taipei, Hsinchu, Taoyuan.
UCLA. Royce Hall. Flamenco and Tap Dance. 2002-2004.
Las Vegas. Modern Dance in Concert. MGM Hotel. 2003.
Las Vegas. Modern Dance in Concert. Mendalay Bay Hotel. 2002.
Flamenco Dance—Tango. Hsinchu: Mega Department Store, Nov. 21, 2009。
Jazz, Belly Dance, Flamenco. NCTU Hall (2006, 2007, 2009, 2010, 2011, 2012)。NCTU Dance Club and Spanish Dance Club.

Directing


Directed Bizet’s Carmen, College Graduation Performance, 1999
Directed Shakkespeare’s A Midsummer Night’s Dream, 2 College Graduation Performance, 2000
UCLA 2012 Course “Directing in Theater, Film and Television”directing a scene of M. Butterfly
NCTU-the Department of Foreign Languages and Literatures, senior students’ graduation performance, directed the play written by the Nobel Prize winner Dario Fo-- We Won’t Pay, We Won’t Pay

Theatre Acting


The second female protagonist as “Mrs. Linde/Christine” in Ibsen’s A Doll’s House. National Tsing Hua University Drama Club attending the Colleges Theater Competition. Taipei, 1990.
Mini-Plays, Three times, National Tsing Hua University, 1990, 1991
The Leading Female Role as the “Bride” in Blood Wedding, National Tsing Hua University, Department of Foreign Languages and Literature, Senior Students’ Graduation Performance, 1993
UCLA 2012 Course “Directing in Theater, Film and Television”acting a role in the other MA students’ directing work

Teach Courses


July 18, 2012.Taught NCTU International Students Summer Course (9 a.m.-3 p.m.) Course title--Taiwan Society and Culture: Theatre as Cultural Performance. <br/>Name of College: Hakka College of Studies Serve as an Advisor or a Committee Member for MA Students.
http://hs.nctu.edu.tw/Hakka-I-facultywebs/iristuan/course.html Website of Courses taught
Theatre Performing Arts, Contemporary Theatre and Film Adaptation in Intercultural Orientation, Drama and Hakka, Broadway Musical Studies, Text and Discourse Theory, Approaches to Literature, Introduction to Art, Graduate Seminar, Thesis Writing, Political Theatre and the Structure of Drama

Services


Promotion, Employment, Research Project, Tenure, Ph.D. Dissertations, MA Thesis, etc. Evaluations and Reviews.
Employment, research project, tenure and/or Ph.D. evaluations
Conference commentator, co-host, panel chair, presenter
Reviewer for several journals, book manuscript publications, troupes TV shows, fundings, etc.
Parent Services: In Dr. Martin Luther King School, Cambridge, Boston, U.S.A.
Church and Bible Group partication
Taught Adult Education 2 courses
Community Speeches—Taiwan and Boston
Club Director NCTU Faculty & Staff Spanish Dance Club (2008/8—up to now) NCTU Faculty & Staff Tennis Club Deputy (2010/8—2012/3/15)
Mentor & Consulter for undergraduate and graduates (2005-2013)
Attend Research Groups, Give Speeches and Association Members (1) American Society for Theatre Research (ASTR) (2) Association of Theatre Research in Higher Education (ATHE) (3) Society of Dance History Scholars (SDHS) (4) International Federation for Theatre Research (IFTR) (5) The International Association for Philosophy and Literature (IAPL) (6) Association for Asian Performance (AAP) Judge for Emerging Scholars Panel Papers and Awards (7) Conference of Contemporary Women's Writing: (Wo)Man and the Body (CCW)
Association Board Director (1) One of the board of directors in Hsinchu City College Teachers’ Union (2011~2012) (2011, 2012) (2) One of the board of directors in Chinese-Taipei Theatre Association (2011~迄今) (2011, 2012, 2013)
University Committee Members—School Level, College Level, Department Level
Invite international scholars for seminars, and host or co-host symposiums and workshops
Got outside fundings from the National Science Council, the Executive Yuan for Hakka Affairs Council, Hsinchu County Cultural Bureau, etc.


Copyright © 2019 Department of Humanities and Social Sciences / Graduate Program of Ethnicity and Culture,
College of Hakka Studies, National Chiao Tung University Taiwan ©
ADD.: No.1, Sec. 1, Liujia 5th Rd., Zhubei City, Hsinchu County 302, Taiwan (R.O.C.)
TEL: +886-3-5131394 FAX: +886-3-6580677 (Ms. Teng) Last update: 2019.10